Amsterdam's Iconic Party Series NO ART Is Coming to Somabay March 22nd

The Red Sea has seen sunrises and wind-blown waves, but we can safely assume it has not seen underground club culture—lured into the daylight by the promise of sandy raves—quite like what Egyptian electronic brand Human Figures has in store for this year’s Eid vacation.
On March 22nd, 2026, Amsterdam’s globe-hopping party series NO ART—the electronic baby of famous club duo ANOTR—lands at Somabay’s Human Figures Platform. And yes, it’s exactly as absurdly brilliant as it sounds.

What makes this particular landing interesting isn’t just the lineup (we’ll get to that), but the setting. The Human Figures Platform isn’t a random stretch of sand with a sound system dropped on it. It’s a purpose-built architectural playground—warm desert stone, reflective surfaces, sacred geometry references that nod to the Star of Nut and the Eye of Horus without turning into theme park theatrics. The goal isn’t just to book international DJs; it’s to build spaces where global club culture can exist in dialogue with Egyptian identity. Which is where NO ART makes sense.

Founded by ANOTR, NO ART built its reputation on taking dance music out of the conventional club box. Industrial buildings. Galleries. Places where sound ricochets differently. Places where the room becomes part of the narrative. Over the past few years, it’s grown into one of the most influential party series on the global circuit, with sold-out stops in Ibiza, Paris, Liverpool and beyond. Now it meets the Red Sea.

The March 22nd lineup reads like a house music group chat come to life. ANOTR will headline, naturally, bringing the sharp, driving energy that made NO ART what it is. Palms Trax and Job Jobse go back-to-back for what’s guaranteed to be a euphoric, genre-skipping moment. Chris Stussy brings his signature rolling ‘Up-and-Down’ groove. Chloe Caillet delivers the kind of polished, rhythmic set that feels equally at home in fashion week afterparties and underground basements. Bella adds soulful propulsion. And Misty, a Human Figures regular and local force, anchors the night in Egypt’s own electronic pulse. It’s international. It’s intentional. It’s not parachuted in.

“We’re bridging the gap between local culture and the global vanguard by bringing No Art to the Red Sea,” says Ahmed El Ganzoury, Founder and Managing Partner of Human Figures. And in this context, that doesn’t read like marketing speak—it reads like logistics. Bringing one of the world’s most talked-about party series to a purpose-built architectural platform on the Red Sea isn’t small ambition. It’s a statement.
And for travellers? This is the kind of event that reframes a destination. Soma Bay has long been shorthand for turquoise water, resort ease, and winter sun. But NO ART tilts the narrative slightly. Suddenly, it’s not just a beach escape—it’s a cultural renaissance. A place where you can swim in the afternoon and find yourself in a desert-framed dancefloor by night, surrounded by people who flew in not just for a holiday, but for a moment.

More events for that very same weekend will be announced soon with tickets already available via Tickets Egypt. The Red Sea is waiting, and Somabay has never looked—or sounded—like this.